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IN HUMAN FORM
SALIGIA SWIM 2026
FORM, NATURE AND THE DIVINE
The divine has long taken human form, reflecting something of how we imagine ourselves.
The ancient Greeks imagined their gods in human form, investing them with strength, desire, courage and beauty. The divine was made visible through an idealized body.
For SALIGIA,
underwear sits closest to the body — and closest to desire and self-perception. The body has always been central to our work, raising a question: what else can the male form reveal?
SALIGIA SWIM 2026 begins there. Sea, rock, sky, sculpture and shifting light create a world suspended between reality and myth.
The imagery opens in black and white. Color falls away; proportion, muscle and posture remain.
At dusk, light moves across body and sculpture. The real human figure and the classical ideal occupy the same frame.
In still blue water, the body returns to breath, natural light and a quieter rhythm.
Rain and black sand bring skin and texture into sharper focus — warmth, touch and vitality made tangible.
Then fire appears. The palette turns warm, and something primal begins to suggest the first traces of civilization.
Finally, golden light reshapes the figure, drawing the human body closer to the classical ideal — and to an ancient vision of the divine.
From ancient myth to the present, our ideas of the divine have always reflected something of ourselves.
The body, strength, desire, will — and who we hope to become.
Art Direction: Cory Cheng
Photography: Gu Yan
Videography: Boyfriend Studio
Set Design: Lv Xiaohe & 77 & Sheshe
Hair & Make-up: Liu Jun
Lighting: Quoqing
Talent: Terry Wauters
Casting: The Line Model
Production: Ring My Bell
